Previous Page  5 / 27 Next Page
Information
Show Menu
Previous Page 5 / 27 Next Page
Page Background

Page 33

allied

academies

August 16-17, 2018 | Paris, France

Primary Healthcare

12

th

International Conference on

International Conference and Medicare Expo on

&

Pediatrics Health Care

Joint Event

Journal of Current Pediatric Research | Volume: 22

The risk of hearing damage in musicians who play the wind instruments

Monika Rogoz, Renata Bakalarz

and

Sylwia Lisowska

Jagiellonian University Medical College, Poland

Background:

Musicians are often exposed to sound levels that

outweigh the values of acceptable noise levels. Exposure to

sound levels that pose a risk of hearing damage occurs both

during rehearsals and during concerts. The aimof this studywas

to check self- assessment of hearing ability andevaluationof risk

of hearing impairment in musicians playing wind instruments.

Material and methods:

Questionnaire inquiries were carried

out in 46 musicians who play the wind instruments, 18 women

and 28 men in the age of 26-44 [33.5±5.25] years with higher

education took part in this research. The average period of

playing the instruments among study participants was [20.02

±4.75] years. These people play in orchestras and work in music

schools.

Results:

In the group covered by the study, there were people

who spent more than 20 hours a week playing the instrument

(84.8%). Every tenth respondent (10.9%) indicated the number

of hours in the range from 15 to 20 hours, 4.3% - from 10 to 15

hours. None of the respondents declared that they devote less

than 10 hours to playing the instrument.

Most of the respondents noticed the impact of working as a

musician-instrumentalist on the deterioration of hearing. 34.8%

of the respondents were convinced of this, and 41.3% declared

that theyhearing ratherdeteriorated. The remaining respondents

indicated negative answers: 17.4%-“rather not”, 6.5%-“no”.

All respondents (100%) declared that they are aware of the risk

of hearing loss due to the type of work performed. The use of

hearing protectors while playing the instrument was declared

by only 6.5% of the respondents. The remaining 93.5% of the

respondents were those who did not use hearing protectors.

The respondents declared that they were testing their hearing

at least every two years: 69.6% indicated that they had to

perform the test at least once a year, and the remaining 30.4%

of those surveyed were tested less frequently than once a year,

but at least once every two years. None of the respondents

indicated that they perform the test every 3 years or that they

do not perform such tests at all.

Conclusion:

The profession of wind instrumental music is

associated with excessive exposure to noise. As a result, this

activity increases the risk of hearing impartment.

Speaker Biography

Monika Rogoz is a physiotherapist by profession. She graduated from Jagiellonian

University Medical College, Faculty of Health Sciences. She works in a Medical Security

Team. She is a PhD student at the Jagiellonian University Medical College. She is

interested in the ergonomics and physiology of physical activity. How does the body

behave during all sorts of physical exertion and the mechanism of playing the wind

instruments and overloading of the hearing, respiratory and musculo-skeletal systems.

e:

monia_rogoz@wp.pl

Notes:

Monika Rogoz et al.

, Pediatrics & Primary HealthCare 2018, Volume 22

DOI: 10.4066/0971-9032-C1-003